Baseball bat
“Sculpted Silence” begins with a contradiction: a baseball bat, an object designed for impact, force, and sound. In its original context, it is a power tool—an extension of motion that announces itself through collision, through the sharp punctuation of noise. It exists to break stillness. Yet in this work, that expectation is deliberately interrupted.
Through the application of dense, texturized plaster paste, the bat is materially transformed and conceptually restrained. Its familiar athletic precision is obscured beneath layered surfaces that absorb rather than project energy. What once demanded movement and resonance is now rendered visually heavy, tactile, and inert. The object no longer performs its intended function; instead, it holds it in suspension.
The title “Sculpted Silence” becomes the central paradox of the piece. Silence here is not absence, but construction—something built up, layer by layer, over the identity of the object. The “sculpting” is not only the addition of material, but the removal of voice: the muting of function, the dampening of impact, the translation of potential sound into stillness. The bat’s implied violence and rhythm are not erased, but contained, as if the noise it once produced has been compressed into its surface.
This disruption of nature shifts the object from action to residue, from instrument to artifact. What remains is a silent echo of its former purpose—a power tool that no longer performs, but instead reflects on the very idea of performance. In “Sculpted Silence,” silence is not emptiness; it is tension made visible, the weight of sound that has been deliberately withheld.
Details:
Limited edition artwork
Medium: acrylic, plaster
Surface: aluminum (made with a recycled bat)
Size: 609mm X 100mm X 100mm
Signed by the artist: yes
Ready to place : Yes
Certificate of authenticity : Yes
In “Sculpted Silence,” the bat’s power is not removed but redirected, its inherent noise absorbed into a still, material presence. What remains is a quiet tension—an object that remembers impact, yet chooses not to speak it aloud.
Colors
Ivory — a refined mineral white, echoing alabaster and bleached limestone. It carries a sense of quiet opulence, like museum plaster casts or ancient relics reinterpreted in contemporary form.
Ebony — a deep, absorptive black finish where the sculptural surface emerges only under grazing light. It suggests lacquered obsidian and architectural voids, emphasizing depth over visibility.
Resin Clear — a crystalline edition cast in high-clarity resin, encapsulating the sculpted relief in suspended transparency. It functions like a preserved artifact—light passing through form rather than reflecting off it.
Warning
Because each artwork is handmade, every piece is unique and may differ slightly from the photos.
Baseball bat
“Sculpted Silence” begins with a contradiction: a baseball bat, an object designed for impact, force, and sound. In its original context, it is a power tool—an extension of motion that announces itself through collision, through the sharp punctuation of noise. It exists to break stillness. Yet in this work, that expectation is deliberately interrupted.
Through the application of dense, texturized plaster paste, the bat is materially transformed and conceptually restrained. Its familiar athletic precision is obscured beneath layered surfaces that absorb rather than project energy. What once demanded movement and resonance is now rendered visually heavy, tactile, and inert. The object no longer performs its intended function; instead, it holds it in suspension.
The title “Sculpted Silence” becomes the central paradox of the piece. Silence here is not absence, but construction—something built up, layer by layer, over the identity of the object. The “sculpting” is not only the addition of material, but the removal of voice: the muting of function, the dampening of impact, the translation of potential sound into stillness. The bat’s implied violence and rhythm are not erased, but contained, as if the noise it once produced has been compressed into its surface.
This disruption of nature shifts the object from action to residue, from instrument to artifact. What remains is a silent echo of its former purpose—a power tool that no longer performs, but instead reflects on the very idea of performance. In “Sculpted Silence,” silence is not emptiness; it is tension made visible, the weight of sound that has been deliberately withheld.
Details:
Limited edition artwork
Medium: acrylic, plaster
Surface: aluminum (made with a recycled bat)
Size: 609mm X 100mm X 100mm
Signed by the artist: yes
Ready to place : Yes
Certificate of authenticity : Yes
In “Sculpted Silence,” the bat’s power is not removed but redirected, its inherent noise absorbed into a still, material presence. What remains is a quiet tension—an object that remembers impact, yet chooses not to speak it aloud.
Colors
Ivory — a refined mineral white, echoing alabaster and bleached limestone. It carries a sense of quiet opulence, like museum plaster casts or ancient relics reinterpreted in contemporary form.
Ebony — a deep, absorptive black finish where the sculptural surface emerges only under grazing light. It suggests lacquered obsidian and architectural voids, emphasizing depth over visibility.
Resin Clear — a crystalline edition cast in high-clarity resin, encapsulating the sculpted relief in suspended transparency. It functions like a preserved artifact—light passing through form rather than reflecting off it.
Warning
Because each artwork is handmade, every piece is unique and may differ slightly from the photos.
